B.R.M.C. - River Styx (Paste Session) (por connyxo)
In The End of the World Nine said that everything had to die; Ten, who had always been less inclined to accept this, got his memento mori once every season: from Sarah Jane in School Reunion ('Everything has its time. Everything ends.'), the Face of Boe in Gridlock ('Everything has its time. You know that, old friend, better than most.'), and Ood Sigma in Planet of the Ood ('Every song must end.') (x)
During the excitement of the 50th, let’s not forget those who unfortunately cannot be here to celebrate it with us.
"The three saddest things are the ill wanting to be well, the poor wanting to be rich, and the constant traveler saying ‘anywhere but here.’"
E.E. Cummings (via dahlium)
No words can describe this.
The one time Moffat did it right
Just this once everybody lived
"while sitting on brighton beach (UK) back in 2005 with my new girlfriend, verity, i thought the view of our feet pointing out to sea would make a nice photo. ever since then we’ve continued to document our travels in this way, resulting in a collection of over 100 photos. in 2011 the series took a new twist with the arrival of a third set of feet – our daughter matilda. you can already see her little feet getting bigger and bigger." - text and photos by tom robinson
photos: arbol de piedra, bolivia; nahuel huapi national park, argentina; machu picchu, peru; bâlea lake, romania; blue mountains, australia; ko pha-ngan, thailand; st. georges hospital, london; cabo de são vicente, portugal; voje valley, near stara fužina, slovenia; london, england
i just love how dogs paddle with their little doggy paddle whenever theyre close to water like just look at the little doggy
What kind of influence does the Noh play have in Throne of Blood?
Akira Kurosawa: Drama in the West takes its character from the psychology of men or circumstances; the Noh is different. First of all, the Noh has the mask, and while staring at it, the actor becomes the man whom the mask represents. The performance also has a defined style, and in devoting himself to it faithfully, the actor becomes possessed. Therefore, I showed each of the players a photograph of the mask of the Noh which came closest to the respective role; I told him that the mask was his own part. To Toshiro Mifune, who played the part of Taketoki Washizu (Macbeth), I showed the mask named Heida. This was the mask of a warrior. In the scene in which Mifune is persuaded by his wife to kill his lord, he created for me just the same life-like expression as the mask did. To Isuzu Yamada, who acted the role of Asaji (Lady Macbeth), I showed the mask named Shakumi. This was the mask of a beauty no longer young, and represented the image of a woman about to go mad. The actress who wears this mask, when she gets angry, changes her mask for one the eyes of which are golden-colored. This mask represents the state of an unearthly feeling of tension and Lady Macbeth assumes the same state. For the warrior who was murdered by Macbeth and later reappears as an apparition, I considered the mask of the apparition of a nobleman of the name of Chujo. The witch in the wood was represented by the mask named Yamanba.
[ Interview with Akira Kurosawa | Joan Mellen, 1975 ]
Twelfth doctor au in which the new doctor’s language is a bit more colorful than past regenerations’.